CANADIAN OPERA COMPANY LAUNCHES SHOWCASE SERIES WITH ASIAN HERITAGE MONTH PROGRAMMING

The Canadian Opera Company is proud to announce the Showcase Series, a new slate of programming that spotlights a variety of cultural identities through curating performance opportunities that comprise Toronto’s unique cultural landscape. In May, the company celebrates Asian Heritage Month with a month-long calendar of events that highlights the beauty of music, cultural identity, and language, and also support an understanding of the vast range of Asian communities throughout the city.

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Fashion as Ritual: First Monday in May 時尚的禮儀

Before getting dressed in the morning, I wade through the dresses, blouses, skirts, jackets, scarves, hats, shoes and handbags clogging my bedroom closet and still can’t find anything to wear. It’s become a daily ritual. My tastes change with the fashion. Or is that I expect too much from my clothes? One day I wear ruffles and feel pretty, and the next a camouflage print to channel my inner warrior. My friend has trouble packing her suitcase for overseas trips because she simply cannot anticipate what her mood might be on the road. “I dress to express what I feel,” she tells me. “Or what I want to make happen on a given day.”

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Hong Kong Drama Series at Centre of Controversy Triggers Need for Greater Dialogue.

At the time of this article being published, a NextShark post on instagram has over 11,000 likes and 500 comments, with a majority full of hate and criticism towards a popular Hong Kong television drama that is currently being broadcasted and coming to a close. The issue being discussed two weeks ago was the disapproval of “brownface,” as make-up was used on a Chinese actor to darken her skin to portray a Filipina domestic helper for one half of her role, where she transforms from the first ethnicity to being Chinese, when the family she works for tries to turn her into the replacement for their late daughter who fatefully died years prior.

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38 at the Garden: a new film about how Jeremy Lin shattered stereotypes and inspired a generation

I’ve loved basketball my whole life. Growing up in Scarborough, a court and pickup game was never far away, and I’d often carry a ball with me just in case. In my teenage years, I’d go to school early, put on my Sony walkman (youths, starting googling) and shoot for 2-3 hours by myself - every morning, without fail. Looking back, it was my meditation, my happy place.

I was a pretty good player - quick first step, could finish at the rim, lefty advantage, great cardio, and a decent mid range shot. I also developed enough confidence that I would rarely see a game being played where I felt I couldn’t at least be a decent role player. My friend Darnel and I would go challenge people on random public courts and we won our fair share.


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The Comeback of Chinese-Canadian Music Icon: Wanting Qu 愛上‧曲婉婷

In 2012, her megahit “You Exist In My Song” catapulted her to superstardom, earning her numerous awards such as Best New Artist, Best Music Composer and Best Song from many top Asian platforms. To date, the track’s official music video has over 170 million views on YouTube, a staggering figure that might not even fully reflect her extensive following in China. Capping off her meteoric rise, Wanting performed in front of a live television audience of close to one billion viewers at the 2013 annual Spring Festival Gala, sharing the stage with the legendary Celine Dion.

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The Inno-Visionary: Kevin Au-Yeung 創新令世界變得更好:歐陽浩東

We wondered aloud how Chinese principles have molded Kevin’s personal journey. Again, he pauses to consider his answer before sharing that his main, guiding sense of duty comes from witnessing how the Chinese community values and cares for seniors. He adds that “While this may not directly affect my business decisions, it moves me deeply as a person. Western communities spend so much time thinking about the future but don’t think about the past enough.” He credits the values that were instilled in him back in Hong Kong in his early days, which is that honouring, revering and respecting seniors is of supreme importance. And that this is something that the younger Chinese generation could do to remember...

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Putting Food and Compassion on the Table: Tina Lee 李佩婷:你吃了嗎?

Tina Lee’s pandemic experience has been all about people. From the thousands who are her work family, to the millions that her twenty-seven stores serve, to her own family at home; every one of these people was the reason Tina persevered and prevailed through the most challenging two years of her career. As CEO of T&T Supermarkets, Tina has faced many hurdles before, but nothing like when COVID-19 entered Canada. Almost overnight, Tina and her grocery staff became frontline workers. And just like all first responders, her employees could not stay at home; instead, they showed up day after day, driven by an overriding sense of civic duty.

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Manfred Yuen: Daring to Be Different 阮文韜: 敢為人先的建築「覺‧渡」

The theme of this edition of Fête Chinoise resonates strongly with Manfred. He believes that proper perspective is the key to doing things the way they are meant to be. “Because most of us are now accustomed to seeing and feeling designs the wrong way. When judging something, it is common to add external factors into the equation — be it finances, politics or ethnic background for example. If we only relied on our five senses instead, I think we would find everything more enjoyable.”

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Canadian Actor Selena Lee’s Highly Anticipated Drama Sequel Takes Off This Week: 金宵大廈 2

Many fans of TVB’s supernatural drama 金宵大廈 can still hear the tune of theme song 今宵多珍重 in their heads from the blockbuster in 2019. Drama creator Ruby Law was inspired by the song, originally in Mandarin, to pen a story about a man and a woman who see each other in their dreams, which was the basis of the romance of the first series. This was also the song that Selena performed in 2020 on the stage of our Fete Chinoise Signature Event at the Royal York Hotel. Selena Lee not only plays the main character in this sequel, she also released her new single 相愛萬年, her first individual solo piece which she also had a part in writing.

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Everything Everywhere All At Once is A Must Watch!

This long preamble is my way to wrap my brain around my stunned reaction after seeing EVERYTHING EVERYWHERE ALL AT ONCE. In my perfect world, all I’d write is “Trust me. It’s brilliant. SEE IT”. But I can’t, so please bare with me as I discombobulate my addled brain cells and convince you to be first in line to see the most original and bombastic movie in decades without any spoilers!

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Justin Wu 吳一縉 : Representation in Image Making, Media and Film 圖像媒體中尋真我

My name is Justin Wu. My mother is a fine-art painter and my late father was a doctor. Both grew up in Hong Kong before emigrating to Canada to seek a better life. Typical of many first generation Chinese-Canadians, I felt obligated to attend university and enroll in sciences and business to satisfy my parents’ desire for me to follow in my father’s footsteps. However, much to their disappointment, I tore up my medical school application at the eleventh hour and chose to pursue my passion for the arts instead.

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