From April 11 to 13, the Grand Quay in Montreal’s Old Port will host the highly anticipated 2025 edition of Plural, Canada’s leading contemporary art fair. Formerly known as Papier, the fair began with a focus on works on paper and has since evolved into a reimagined event that reflects the multiplicity of voices, practices, and mediums shaping contemporary Canadian art. Amongst the standout projects is Like raindrops rolling down new paint, Karen Tam’s evocative work, presented by The National Bank and staged in the Espace Banque Nationale.
Read MoreIn a world where artists often boast about their exceptional and distinctive creations, Taiwanese paper-cutting artist Yang Shih-yi stands apart with his humility. Unlike many artists who speak loftily about their works, Yang describes himself as merely a storyteller, messenger, and servant to serve others' needs. He even goes as far as to say, “The arts might not even be significant.” His primary concern is whether his works will inspire a sense of joy and well-being in people.
Read More“Benevolence Hall” is Hakka-Chinese Canadian artist Kevin Matthew Wong’s latest art installation, inviting audiences to reflect on their personal journeys and connections to Canada. Many Canadians have roots in different parts of the world, coming to Canada and making it their new home. This is also true for the Hakka (which translates to “guest families” in Chinese), who have migrated within China and across the globe, including Canada, while respecting the local cultures of their new homes.
Read MoreChinese culture has a complex relationship with the origin and evolution of hieroglyphics. I say this because Chinese is so different from English – it is much more ideographic. This logic also corresponds with the magical relationship between reading, thinking, and constructing perspective in Chinese.
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